If you added the running time of all thirty Raindance Film Festivals, one day after another, you’d end up with over 12 months of festival. That’s a lot of standing around talking to independent filmmakers.
Submissions to this year’s film festival (the 30th) are flooding in to a wave of terrific publicity and record breaking interest in the festival, it’s films and the attending filmmakers.
I make films too and have had the pleasure of standing the in cinema lobby before and after screenings of my films, the hair rising on my neck trying to be civil and answer cringe worthy questions without losing my cool.
With the crowds of film lovers set to descend on Raindance, I thought it best to delineate a few sensitive areas and establish correct protocol when meeting and talking to filmmakers you will meet at Raindance, or at other film festivals.
7 Things Not To Say To Filmmakers
1) I really liked your film
This is probably the worst insult a filmmaker can hear. Because if you really liked their film, you would either be at a total loss for words, or be enthusing superlatives. A cousin to the “I really liked your film” would be: “Your film was interesting.”
Please. No.
2) How did you make it?
Like – what is that supposed to mean – how much money did you need? Or how did you do a trick shot?
Unless you are specific you are likely to get an answer like “T’was a bit of movie magic.” Or be treated with total disdain. And you wouldn’t want that, would you?
I’d advise you to drop this question from your list entirely.
3) What’s the budget?
Everyone wants to know how much money you had to put those images on the screen.
There is no right way a filmmaker can answer this. If they tell you the actual budget, they are worried you will think you could have done it better. Worse, they might think you will be thinking that the entire enterprise was a waste of money.
Ask this question to any filmmaker and they will usually answer: ‘What’s it worth to you?”
4) When is your film screening again?
Entirely please? I mean, this project has been in my head for months, and you can’t remember the screening time? To a filmmaker, asking for the screening time is almost as bad as asking them what the name of their film is.
Better, say “I really hope I can make your screening.”
5) Can you lend me a fiver?
How do you know if a filmmaker is broke? Ask them if their film is finished. They can’t lend you a penny, and if they had a fiver they’d spend it on something for the film. Films are never finished. They are abandoned.
6) Is that your mum?
Even filmmakers have mums (and dads) And usually it’s mum and dad that help out on the set, behind the scenes providing moulah and shelter while their prodigy attempts to become the next Spielberg, Lucas or Loach. Filmmakers also have egos and prefer not to be reminded of their parental units.
I can remember following Christopher Nolan and his mum up the steps after the screening of Memento at Raindance and overhearing Mrs Nolan whispering into her son’s ear: “Great film, Chris. What was it about?” And Christopher going “Mum? Shhh.”
7) You and the lead actor (actress) still together?
You wouldn’t ask any two people who worked intensively over a long period of time if they were still together, would you? And if you heard a rumour that the director of such and such was shagging the actor so and so – how would you know if it were true (or not?)
A better strategy would be to slow down and see who is holding whose arm after the screening.
Fade Out
Want to get noticed by a filmmaker? Just say, with conviction: “I really loved your work.” And be prepared to follow up with specific scenes and references which will demonstrate you have seen and studied their film.
You will have a friend for life.
Hey. And I’m still learning.
Happy Filmmaking.
Did You Know?
- Raindance Film Festival is considered one of the top fifteen film festivals in the world?
- Our Higher Education programme is offering HND, BA and MA in Filmmaking and Screenwriting?
- Raindance members support indie film, and enjoy a range of benefits
Photo Credit: Bertie Watson
I founded Raindance Film Festival in 1993 because the British film industry was closed, polite, and congratulating itself while shutting new filmmakers out.
I co-founded the British Independent Film Awards in 1998 because British indie film deserved more than a shrug, a pat on the head, and a Tuesday night screening.
Raindance didn’t start as a brand. It started as a rebellion: film training without gatekeepers, a festival without permission, and a community built by filmmakers who weren’t waiting to be invited in.
Later, we took it global: Toronto, Vancouver, New York, LA, Berlin, and Brussels, because independent film doesn’t belong to one city, one class, or one accent.
I’ve produced 700+ short films and seven features, including Deadly Virtues (2014) and ALICE, which won the SXSW Grand Jury Prize (2019) not because someone “discovered” us, but because the work earned its place.
I’ve written three books used by filmmakers worldwide because too many courses taught compliance instead of survival.
In 2009, I was awarded a PhD for services to film education, ironic, given that most of my career has been about tearing down the rules that education insisted you follow.
I don’t believe in waiting for permission.I believe in making work, building systems, and forcing the industry to catch up.
Specialties: Independent Film (the real kind) · Producing · Writing · Film Education · Festivals · Breaking Broken Systems
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