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Gideon Van Eeden

Gideon van Eeden is a former television actor and theatre creator with South African roots. After emigrating to the Netherlands in 2008 he has worked as a festival programmer and filmmaker. His films have been selected by numerous Oscar- and BAFTA-qualifying festivals and have received more than 20 international awards. His short film Bijltjesdag (Day of Reckoning) has screened at more than 30 festivals around the world, and marks his debut as a director of narrative fiction. The film won Best Student Film at the Kerry International Film Festival in Ireland. His second short film, The Apricot Tree was selected for PöFF Shorts and nominated for Best Student Film at the Norwich Film Festival. Both productions were made as part of his studies in screenwriting and directing with the Raindance MA Programme, which he completed with distinction in 2018. His third film, God Glitch, is an award winning sci-fi short that screened at Film Quest and the Leeds International Film Festival. Next in the production pipeline is Entgen Luyten’s Executioner – a gritty historical thriller; green- lit by the Limburg Film Fund. He is in development with 3:42AM – a horror web-series and his first feature, a psychological horror: Darkness and Voices

Creative areas of interest

Socially relevant and reconciliatory themes, bigotry & hypocrisy, societies undergoing massive, sudden change, psychological & paranormal horror, sci-fi and fantasy, magical realism, (esoteric) symbolism, creating suspense with camera movement and musical score, aesthetic emotion, synchronicity, education- & redemption plots, coming of age stories, outdoors and nature, myth, occult, character motivation and psychology, popcorn flicks. Festival programming. David Fincher, Darren Aronofsky, Kiyoshi Kurosawa, Jordan Peele.

Mentoring strengths

Script development: premise / character / theme, beat-sheets, rewrites, the shooting script. Short, feature and web-series structure. Indie- and guerrilla filmmaking: using limitations to your advantage. Visual design for new directors: directing the camera (movement, composition and blocking), vision statements, look books, sizzle reels, storyboarding and shot lists. Pitch-deck, (crowd-) funding, festival strategy, collaboration techniques: working with key crew and cast. Some hard lessons learnt the hard way – happy to share those practical gems.