Easter Independent Filmmakers ToolkitPut down the chocolate! Make movies!

There’s no reason to delay your movie. You can start right here! Rather than beat yourself up for NOT doing what you want, let’s get a strategy together. That way you can move from amateur to professional.

We are all about movie making at Raindance. That’s why we are getting the dosh together to make one right now. I’m shamelessly plugging  Love.Honour.Obey. It’s a taut psychological thriller in the post-feminist genre. It’s written by newcomer Mark Rogers and directed by cult director Ate de Jong (Drop Dead Fred)

Help us reach our goal of £12,000 so we can ditch the DSLR and shoot on a RED. Contribute here.

1 Make a plan and make it realistic

There’s no point in telling your friends that you are going to make a film, or, to tell everyone you are going to make it your way and reinvent the industry. It just ain’t that simple.

Far better to do what Shane Meadows did when he was starting out and make a series of short films – one a week – until he got really good. I asked him what the budget of a short of his we screened at Raindance Film Festival in 1997 was, and he answered £1.69. I asked him he could be so sure and he told me that the main actor was mildly diabetic and was having a sugar low and he had to get him a cheese sandwich which cost £1.69.

Good businessmen make business plans. Why don’t good filmmakers make business plans too? It doesn’t need to be complicated or extreme. Just attainable. Bite size chunks or even chunkettes are a far more sensible than signing up to an imaginary project so fast and unrealistic that not even your top trust fund baby filmmaker could pull it off.

I’m not bragging here, but I recently found this business plan I did a few months before the first Raindance Film Festivcl in 1993. To my surprise, Raindance today is pretty much like I planned it. Have a peek and see for yourself how my plan worked out.

2. Get a screenplay and make sure it’s great

How often do we say it? “How did they get the money to make that movie?” Here are the three basic ingredients of filmmaking success: Script. Script. Script.

We spend nearly half our teaching focus at Raindance on screenplay. It is that important. I’m not going to bitch about the chocolate on your breath this Easter Sunday except to say: Until You Get A Script You Are A Nobody.

How do you know what to write about? Here are 8 Questions Writers Must Ask When Developing Audience Profiles

John Truby has become one of America’s most influential screenwriting analysts in America. In 2010, his 25 years of study finally paid off and he is now visited by a stream of top story and development executives from the biggest production companies in the world including Warner Bros and Pixar.

Read his movie story advice here:
Why 3 Act Story Structure Will Kill Your Writing
10 Story Techniques That Sell Scripts

I am shamelessly plugging his upcoming Anatomy of Story teaching gigs in New York and London too. John is an excellent teacher.

3. Get your social media going

In this day and age there is no excuse for not developing your own social media profile. Your blog, Twitter, Facebook and Youtube accounts are essential ingredients to filmmaking success.

Why?

It’s always been about the people that watch or read your stuff. This is how you get people to watch and read your stuff in the age of social media. Just do it.

start with the basics
learn how videos go viral
lost the new media phobia

See how we do it. Raindance has the world’s 10th largest Twitter profile of any film festival.
Follow Raindance on Twitter? Want our free weekly newsletter?

Another great way to build your lists and your audience is to comment on relevant articles. Have you commented on this article?

4. Get some money

Now that you have your excellent script and business plan, you need to get some money. But how much money? There are loads of things you can do without much money at all. The first money in is called development money.

There are 10 ways you can finance your film. Each investor you approach will want to know what’s in it for them, and how you can de-risk their investment. The more you can learn about the flow of money and the different ways you can finance your film, the better off you will be.

You can get big tax inducements from British taxpayers who invest in your project. You don’t need to be a British taxpayer to access this money either. Read up on the Enterprise Investment Scheme. Use the EIS risk assesment tool here.

Maybe you want to crowdfund your film. You can see how we crowdfund here.

5. Get going

Enough is enough. At some point you just need to take a deep breath and do it. You will never have enough money. You will never be totally happy with the cast and crew. You just need to take the plunge and do it. Practise makes perfect!

your basic low budget kit and crew guide
don’t ‘cross the line’
how film directors screw editors

6. Be submissive!

Once you’ve finished your film, it’s time to get it seen at a film festival. But what festival to choose? There are thousands around the world. Film festivals fall into 5 types or categories. To help you wade through the myriad of film festival, here are our recommendations for the top 100 film festivals around the world.

There are 4 reasons to submit to film festivals. The main one is to get a distributor to see it and buy it. But beware of creepy people preying on naive festival newbies. don’t fall for one of these 5 cons filmmakers fall for.
If you have made a short – here is a short film distributor list – this should save you tons of time. Read out list of the top 100 film festivals for shorts too.

Raindance Film Festival is open for submissions until June 1st.

7. Trouble shooting

Are you making these deadly filmmaking mistakes?

What about your screenplay? Have you forgotten the basic elements of a storytelling?

Fade Out

What are you reading this for anyway when you could be out shooting. Easter Sunday in London has dawned bright and sunny.
But wait, before you go, here are 7 things successful filmmakers eat for breakfast.

About 

Elliot Grove is the founder of Raindance Film Festival and the British Independent Film Awards. He has produced over 700 hundred short films and also five feature films, including the multi-award-winning The Living and the Dead in 2006, Deadly Virtues in 2013 and AMBER in 2017. He teaches screenwriting and producing in the UK, Europe, Asia and America.

Raindance trailer 2017

Elliot has written three books which have become industry standards: Raindance Writers’ Lab: Write + Sell the Hot Screenplay, now in its second edition, Raindance Producers’ Lab: Lo-To-No Budget Filmmaking and Beginning Filmmaking: 100 Easy Steps from Script to Screen (Professional Media Practice).

In 2009 he was awarded a PhD for services to film education.

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