2017.12.02


Screenwriting from a Feminine Perspective

Rated 5.00 out of 5 based on 3 customer ratings
(3 customer reviews)

$395.71

Raindance Members get 20% off this course.
Date:
Saturday & Sunday 2nd / 3rd December, 10.00am – 5.00pm
Duration: One weekend
Address: Raindance Film Centre, 10a Craven Street, London, WC2N 5PE

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Description

* Exclusive European appearance

Are you writing a story and that doesn’t fit the Hero’s journey? There’s another structure. One of awakening to your passion, despite what everyone else expects of you. It’s Kim Hudson’s feminine perspective.

Feminine perspective storytelling is about daring to live your best life. And by best, we mean a life of meaning, joy, and fulfilling relationships. This story doesn’t take a straight-line path. It’s a story of learning to trust that inner guide and following wherever it takes you.

This feminine perspective story can be a feel-good movie like Little Miss Sunshine, or a high concept movie like Arrival. It can also be a horror movie where the ballerina turns inward and we see she has lost touch with reality (Black Swan). Or, the tragedy of a failed attempt to know joy (Virgin Suicides). The defining quality of the feminine is that the story revolves around an effort to know love.

The leading story structure of our time has been the hero story. It is the quest to push back evil/danger and achieve a well-defined goal. This is the world of crisis and obstacles and conquering fear. Most story writing workshops give insight into how to write this story well. But storytelling has developed, and audiences of the 2020’s want stories that deal with inner issues as well. Current story and script teaching ignores this important extra step.

Screenwriting From a Feminine Perspective introduces a second structure. It is the quest to know who you are, separate from what everyone expects from you. It is stories of creative, spiritual and sexual awakening.

Great story-tellers have the ability to write from a masculine and a feminine perspective. Plots based on the contrast of love and fear offer highly compelling dynamics. Characters jump off the page. Every writer will benefit from adding an understanding of the feminine perspective to his or her writing tool-chest.

What you will learn:

Kim Hudson’s pioneering feminine perspective story structure is not available anywhere else. Her techniques and tools will instantly speak to you on a deep and familiar level. This is the fresh new story line everyone is looking for.

  • how to craft a story, at any budget level, that creates a believable transformation and resonates with audiences;
  • the 13 beats of the Virgin’s Promise and multiple ways they can unfold including romance, coming of age, feel-good and horror genres;
  • how to write antagonists that grow rather than get eliminated and
  • the fundamental differences between Virgin and Hero structures and how they can work well together.

Day 1: Introduction to the feminine perspective: ‘The Virgin’s Promise’

Kim Hudson has named the feminine perspective as “The Virgin’s Promise’. The Virgin’s Promise isn’t about sexuality – but about stories of enlightenment and awakening. Kim has taken this to extremes and even using Donald Trump as an example of a female Femme Fatale – one of the types of so-called feminine characters.

On Day 1, Kim will introduce you to the first seven beats of the Virgin’s Promise feminine perspective story structure. She will lead a discussion on the difference between masculine and feminine story lines.

The first seven of thirteen beats are:

  1. Dependent World
  2. Price of Conformity
  3. Opportunity to Shine
  4. Dressing the Part
  5. Secret World
  6. No Longer Fits Her World
  7. Two Worlds Collide

    *Expect to roll up your sleeves and do some treatment writing! And have fun!

Day 2: How to conclude The Virgin’s Promise

Kim Hudson’s ground breaking work on feminine perspective stories divides her revolutionary paradigm The Virgin’s Promise Story Structure into 13 story beats. Learn how the last six beats of the Virgin’s Promise story structure, and with it gain new understanding of screenwriting and storytelling from the feminine perspective.

The beats eight – thirteen story beats are:

8. Gives Up What Kept ‘Her’ Stuck
9. Kingdom in Chaos
10. Wanders in the Wilderness
11. Chooses Her Light
12. The Reorder (Rescue)
13. The Kingdom is Brighter

*Discussion of the different elements of masculine and feminine perspective story telling and how they can work well together

Who should attend

No matter what kind of stories you want to write, you will find ground-breaking story innovation in this weekend that will help you with your documentary outlines, short and feature film scripts, TV shows and VR stories.

What they are saying:

“I met Kim Hudson at the Screenwriting Expo in Los Angeles. Everyone in the room was nodding in agreement as she spoke, wondering why no one had ever outlined the Virgin’s Journey before. The Virgin’s Promise is an essential tool for anyone looking to develop their own writing. It also makes a great companion piece to Campbell’s The Hero’s Journey.”
– Tiffany Tang, LA

 

“I just knew that there was a funny feeling of something missing, something lopsided — like a jigsaw puzzle that’s missing all the pieces on one side. When I saw Kim’s work, I thought, “That’s it! She’s found the missing pieces!” Kim’s work not only makes me feel better as a female individual, it makes everything fit together intellectually as well.”
– Karen V., Boston

 

“I have been hoping someone would take on this project of a comprehensive theory of drama from a feminine perspective, and I believe Kim Hudson has done exactly that. Kim offers an eye-opening retelling of the universal human story from a feminine perspective, with quite different language and thinking than I had ever considered.

Kim Hudson repeatedly pounds me with how much I didn’t know. You won’t find a more lucid guide to these sometimes challenging concepts of archetypes and psychological theory. Kim shows the variations of the male and female archetypes and their positive and negative potentials at different stages of life; these alone are worth the price of the class.

The two approaches are seen as complimentary rather than confrontive, and combining them will give a complete set of language and mental tools for screenwriters and storytellers of all kinds.”
– Christopher Vogler, Author The Hero’s Journey

About Kim Hudson

Kim Hudson Screenwriting from a feminine perspective
Kim Hudson is a pioneer in storytelling from the feminine perspective. She’s the originator of the ‘Virgin’ story structure. While a film student in Vancouver, Kim was told that all story from all time was based on one story, the Hero’s Journey, one universal story. Kim instantly recognized the power of the Hero’s journey and began a lifelong journey to adapt and innovate the Hero’s journey into a revolutionary paradigm to enhance the storytelling and screenwriting journey from the feminine perspective.

For the next two decades she was thrown into her own quest to bring this new journey to life. Exploring mythology, psychology (Jung), story structure and hundreds of movies, Kim recognized a second story structure. She described it in her ground-breaking book, The Virgin’s Promise: Writing Stories of Creative, Spiritual and Sexual Awakening.

Kim has an unusual background. She is trained in geological exploration and is a specialist in treaty negotiation with indigenous people. She is currently a Fellow with Simon Fraser University Centre for Dialogue and Director of the Two Ways of Knowing project. She presents her unique story class internationally. She currently lives in the Yukon, Canada with her daughters and dog.

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3 reviews for

2017.12.02


Screenwriting from a Feminine Perspective

  1. Rated 5 out of 5

    Bill Donovan

    I first heard Kim Hudson speak years ago at the Screenwriting Expo in Los Angeles, which I used to run. I asked her to be on the program because someone recommended her. Intuitively, I felt (from having read too many screenplays by men who wrote female characters as either sex objects or less muscular versions of men (or both) that she had much to say.

    Those who attended her session came away with extremely high praise, wanting to learn much more.

    Kim Hudson takes her deep insights into what makes the female character different from the male, and shows you how to tell her story in 13 steps – a model parallel to, but quite different from, the way Christopher Vogler gives you Joseph Campbell’s male Hero in a dozen story steps.

    These days, I proofread and provide notes to aspiring screenwriters. I tell all my clients, and I’m especially emphatic with male clients, to study Kim Hudson’s model for the strong female character.

    So here’s who should sign up for this course: female writer and directors (and for that matter, producers), yes, to improve your characters, but much more, every male screenwriting client of mine, every male director – and, for that matter, maybe even every male going through a rocky relationship with a woman. You’ll learn how to create a female movie character step by step, or how to fix the flaws in the way you have already structured the story of a female character – protagonist, antagonist, or secondary character.

  2. Rated 5 out of 5

    Naveen

    By far one of the best classes I took on screenwriting. The Virgin’s Promise offers everything that you know has been missing from traditional Screenwriting teaching.

    It’s not just about women. Kim Hudson’s instructions on storytelling are not just for female characters. Her insights apply equally to male characters, who are motivated by a deep understanding of their circumstances and the world around them. They offer a way to understand the motivations of any character at a deeper level. Personally, I find that the Hero’s Journey sets out the mechanics and the Virgin’s Promise explains the science behind the story.

    To understand Kim’s perspective is to ensure a successful screenplay.

  3. Rated 5 out of 5

    Caroline Georgieff

    The course ‘Writing Stories of Personal Growth’ by Kim Hudson offers an original and strong structure for both screenplay and fiction writers. The course follows the thirteen beats outlined in Kim’s book: “The Virgin’s Promise.’ These beats map out the circular journey the protagonist will travel to ultimately arrive back ‘home.’ Stories told from a feminine perspective are rooted in myth, folklore and fairytale and Kim brings these stories right up to the here and now and gives writers the tools and tips on how to create contemporary stories which are both universal and magical.

    Kim shows how the heroine or hero recognises the need to embark on a new path in search of creative, spiritual or sexual awakening to bring about change. The structure also supports the rising character arc leading to personal growth, transformation or enlightenment as he/she discovers his/her full potential, purpose in life or realises his/her dream. The journey from the dependent world to a brighter Kingdom encompasses the key stages and challenges the protagonist’s need to ‘be’ – complete, authentic or fulfilled.

    Kim’s story beats, role of archetypes and the roots of fairytale and myths in storytelling, opened my eyes and heart to set off on my writer’s journey. It was both a cathartic and rewarding experience. The thirteen beats solved the challenge and problems combining both the heroine’s and hero’s circular journey in a love story. She teaches the students how her structure can carry both journeys and ultimately how the hero and heroine can follow parallel paths, find space to grow in the story world and ultimately re-connect at the end.

    The course and book include many examples from films and these illustrate how the ‘Virgin’s Promise’ works for both female and male protagonists. I highly recommend Kim’s course for screenplay and fiction writers looking for inspiration and a fresh approach to their stories. Kim’s background in geology and work with indigenous people gives her a wealth of knowledge, insight and empathy into the human experience and our connection with the world we live in.

    Kim’s passion for storytelling and creative energy will stay with writers long after the course or story is over.

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