2018.03.01


Power of Sound

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$75.99

Raindance members get 20% off this course.

Next date: Thursday 1st March 2018, 6.30pm – 9pm
Duration:
Single evening
Address: Raindance Film Centre, 10a Craven Street, London, WC2N 5PE

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Description

The Fundamentals of Sound for Film

Film sound is one of the most overlooked aspects of the filmmaking process – yet it is often said that it is represents 50% of the experience. They say that pictures in movies convey information. Good film sound conveys the emotion. Accordingly, it is the emotion of any event we remember, not the information.

During the course we will be looking at the sound for your film holistically – and identifying real and practical ways for you to save money, time, stress and improving overall sound quality. Naturally, the course will be targeted towards producers and directors, but will be accessible enough for anyone who has an interest in creating great film soundtracks.

This course will cover the aspects of film sound:

  • Planning and budgeting for film audio
  • Acquiring great sound on location
  • Taking your sound through the edit
  • Post-production sound – covering dialogue editing, foley, ADR, sound design and mixing
  • Delivery

Will contain practical examples, demonstrations, plenty of strongly-held opinions, and answers to all of your questions.

Who Should Attend

Anyone interested in gaining a broad overview of film sound and using it to improve the quality of their productions. Anyone who wants to know how to get better sound for film without necessarily spending more money.
Anyone interested in the lesser-known and behind the scenes aspects of filmmaking.

About the Tutor

Roland Heap spans the disciplines of sound recording for music and film, having been born into analogue and raised digitally. He studied music and sound recording at the prestigious Tonmeister course, then cut his teeth at Abbey Road studios, working on Hollywood film scores and classical recordings. After leaving the studios in 2003 he worked as a freelance sound recordist and mixer. He founded Sound Disposition in 2008, a company dedicated to achieving the best possible sound on location and through post-production.

Recently he has pioneered new methodologies for sound-for picture workflows, taking a holistic approach to the soundtrack from inception to deliverables. He now works as a sound designer and recordist, and has supervised the sound for a number of features, including Academy award nominee Ashvin Kumar’s debut feature ‘The Forest’, Sona Jain’s debut feature ‘For Real’, Jonathan Sagall’s feature ‘Lipstikka’, and many more.

Did you know?

  • Raindance members save 20% on this course? You can join online >HERE< and start saving immediately
  • This course is FREE for our HND and postgraduate/MA/ students
  • This is part of the Technical’ Foundation Certificate
  • The Raindance Guarantee: If this course fails to meet your expectations, let us know at the break and we will make a full, 100% no-questions-asked refund

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2 reviews for

2018.03.01


Power of Sound

  1. Rated 5 out of 5

    Jen (verified owner)

    Needs to be longer!! Or I need to pay more and go on the proper courses 😉

    This course was wicked… way more informative and interesting than I’d expected or have ever thought about sound. Even just things like the shape of cinema speaker placement and how that’s shaped different countries’ cinema; down to things like the four kinds of mic, the range in terms of holding them as anion mic to a face without distortion.. and foley. So interesting. My film project feels so much better equipped now and professional. I know the difference. Ro just literally gave us everything he could think of, freely, as much had he could cram in in the time spare. Really generous with it. Totally worthwhile course. Hugely recommended.

  2. Rated 5 out of 5

    Marina Barabanova (verified owner)

    An excellent course, the tutor knows his craft inside out and is very engaging. If anything- it wasn’t long enough! I would perhaps split the content into two sessions – sound in pre-and production and post-production sound management.

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