About George Moore Chadwick

George is currently an intern at Raindance, and is going into his third year at University College London, studying English with an emphasis on film. He is also writing and making his own short films, as he dreams of directing features one day. See his work at georgemoorechadwick.com
by George Moore Chadwick | 22 August, 2019 | Producing, Raindance Film Festival
The 27th Raindance Film Festival is just around the corner, and that means that the 2019 trailer is here! Raindance Means Raindance is a story set in a dystopian London in 2023, a city torn apart by no deal Brexit. Only one fragment of civilisation remains in this...
by George Moore Chadwick | 25 July, 2019 | Directing, Film History, Filmmaking, In Our Opinion
I haven’t seen Danny Boyle and Richard Curtis’s new film Yesterday, but I am sure already that its music licensing budget must have been through the roof. Songs by The Beatles are the most expensive in the world to use in film/tv/commercials. All great films using...
by George Moore Chadwick | 13 July, 2019 | Film History, Filmmaking, In Our Opinion
Before you write your next short, check out this list of great short films that were made in the 90s. This era is interesting right now because some of the best filmmakers today got their start making shorts in the 90s. A couple of these shorts even became features in...
by George Moore Chadwick | 11 July, 2019 | Festivals, Filmmaking, In Our Opinion, Promotion, Marketing and Distribution
Cannes had some excellent films both in and out of the main competition this year, and while films like The Dead Don’t Die have already had a wide release, many films aren’t being released (or at least released worldwide) for many months. Here are the ones to keep an...
by George Moore Chadwick | 7 July, 2019 | Directing, Filmmaking Career, In Our Opinion, Technical Craft, Web Content
Last week, Netflix released a 15 minute IMAX short film/music video Anima, starring Thom Yorke and featuring three songs from his new album of the same name. Directed by none other than Paul Thomas Anderson and shot by the great Darius Khondji, it’s something to...