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In partnership with Staffordshire University, Raindance offers a fully accredited Masters Program. Accessible in person in London, or online from around the world. Join over 100 students who have forged their own path in the film business

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We provide dozens of filmmaking workshops with industry professionals. All our courses take place in evenings or on weekends to suite your work schedule.

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Latest Articles

Latest posts from the blog

13 Landmark Movies for Women in Film

Geena Davis & Susan Sarandon during the ending of Thelma & Louise

In 2015, many people’s attention has turned to a particular demographic that mainstream movies may not have taken into account so much. It just happens that this particular group makes up for half the world population. Starting with Patricia Arquette’s viral Academy Award speech, to comments made by the likes of Dame Helen Mirren, Meryl […]

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Cinemetrics – A ‘Fingerprint’ for Films

Screen Shot 2015-07-30 at 13.22.11

The aim of Cinemetrics, a project created by graphic designer and coder Frederic Brodbeck, is to measure and visualise film data. Characteristics such as colour, dialogue, lighting and editing structure are analysed and transformed into graphical representations or as he calls it a digital 'fingerprints'. Brodbeck created this as part of his final thesis at […]

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10 Non-linear Films You Should See

21-grams

"I agree that a film should have a beginning, a middle and an end but not necessarily in that order" once said Jean-Luc Godard. He made a habit of questioning the established rules of filmmaking in his work, as did most masters from the French New Wave. The 60’s were a period of disruption in […]

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Screenwriters: What Are You Worth?

money

It’s a simple question really. What value do you place on your skills as a screenwriter? This question arose for me recently when I was asked about helping an aspiring writer with a script. The submitted draft was extremely poor. Scene headers were missing, the writing was almost exclusively ‘tell’ and the story lacked coherence. […]

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