Monty Python's
3 Lessons For Filmmakers

Monthy Python Absolutely Anything

By Raindance

Monty Python is one of the entertainment industry's iconic brands.

Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin formed a comedy troupe branded Monty Python and launched Monty Python's Flying Circus in September 1969 on the BBC.

The group's influence on comedy has been compared to The Beatles's or Elvis Presley's influence on music.

They are now embarking on a fundraising effort for their first movie together since 1983's The Meaning of Life. It's called Absolutely Anything.

There are three important lessons Monty Python can teach independent filmmakers 43 years after their first show.

1. Python Understands New Media

Certain self-appointed gurus proclaim that 'trans-media' is the newest trend. These dilettantes were upstaged by Python.

If you really want to see the ultimate trans-media case study, look no further than Monty Python:
Their works spawned stage and caberet shows, music concerts, a musical (Spamalot) and movies - works with different entry points to the story, and works which crossed over every conceivable media.

And what of new media?
Three years ago Python launched its own Youtube channel where Python's skits and sketchs have had millions of views. Have you seen their Youtube page? It's a textbook example of how to build a successful Youtube channel.

Look at the Monty Python Youtube channel here.

The secret to Monty Python's success too, rests in that they developed a successful personal brand.

2. Python Knows How To Use Independent Finance

Their new movie, Absolutely Anything, has all the elements of a true indie breakout hit: Terry Jone's script, a stellar cast including all the original Pythons AND Robin Williams, PLUS studios practically salivating over the project and offering the Pythons a bit more than their budget for the worldwide rights to the movie.

Some people would take the cash, get the movie made and be happy with their fees.

Not the Pythons. They know that with their brand recognition, and with their stellar cast, they will get more bucks AFTER the film is made. How many indies have fallen into the trap of taking a quick buck up front, only to gnash their teeth later when their films hit?

That's why Monty Python put together a simple instructional PDF on how the money works, explaining the facts of life in the film industy in simple language that anyone with a few bucks to invest could understand.

You can see this presentation here

3. Python Understands Publicity And Marketing

Using alternative finance is a gamble without the backstop of a sound publicity campaign.

Python has managed to effectively raise industry awareness of their film (articles in Variety and Total Film, as well as cleverly employing the likes of The Guardian and the notoriously edgy Perez Hilton (whose website gets nearly twice as many visitors as the BBC) to bring their work public attention.

Then their producers and financial advisors distributed a 13-page document outlining the propostion they show to potential private investors - like you.

By studying this document, independent filmmakers the world over can learn how to emulate the success of Python by using their simple-to-understand template.

You can read this document here.

Fade Out

Nothing is new. There are only Seven Stories.

What makes Python unique is how they take "the same old story" and retell it in such a bold, fresh and innovative way.

You do it too.

Casting Your Film

Learn about the casting process and the best ways to get the right actors for your production.


Tutors: Rory O'Donnell Venue: Raindance Film Centre
10 Craven Street, WC2N 5PE
Date: April 9 Duration: Single Eveninng
Time: 6:30pm - 9:30pm Price: £48


For Raindance Premium Members Discounts log into the Members Area

About Raindance Film Festival
Raindance is dedicated to fostering and promoting independent film in the UK and around the world. Based in the heart of London, Raindance combines Raindance Film Festival, Training Courses, the prestigious British Independent Film Awards.and Raindance.tv

A little bit of History
Since 1993 the Raindance Film Festival has annually uncovered the hottest new filmmakers to hit the cinematic scene. Some Raindance-premiered hits are Pulp Fiction, Memento, the Blair Witch Project, Ghost World and Love Exposure.

In 1998 Raindance launched the British Independent Film Awards – a yearly industry event attended by the upper ranks of the UK moviemaking establishment. The BIFAs are now regarded as one of the penultimate awards in the world film calendar. Honours have included Ben Kingsley, Harvey Weinstein, Richard Curtis, and helped launch countless films including 2008’s Slumdog Millionaire.

Until 2001 Raindance Film Festival was sometimes referred to as the ‘London’ or ‘pre-MIFED’ Screenings (MIFED collapsed post 9/11), essentially filling the film market position for the UK and which saw approximately 63% of films picked up by UK distributors. A similar London UK Film Focus (LUFF) was set up in 2004 by Film London, followed by the Production Finance Market in 2007.

Similarly “Raindance Kids: London’s Children Film Festival” which had been set up by Raindance and ran successfully for a number of years post 9/11 when sponsorship collapsed, hitting all arts organizations. The model was reproduced two years later by the London Barbican who now run the “London Children’s Film Festival”.

Raindance consulted on the creation of the Berlin Talent Campus and created Raindance East (now the independently run East End Film Festival).

The rest of the year at Raindance is spent training thousands of new and established filmmakers in all aspects of film. Among high profile alumni are Christopher Nolan (Batman Begins), David Yates (Harry Potter), Guy Ritchie and Matthew Vaughn – who actually met at a Raindance course. Raindance training is one of the world’s largest catering for over 3000 students per year.

Raindance set up the Independent Film Trust in 2006, a charity to help support the film festival, the BIFA awards as well as film training for disadvantaged kids. In 2007 Raindance.TV was launched, an online IPTV channel which has supported the online distribution of hundreds of features and shorts, with views topping 1 million in its first 6 months.

2010 saw the launch of a limited theatrical distribution of Raindance hits through Apollo Cinemas.

Our filmmaking publications are published internationally, translated into French, German, Spanish, Arabic, Portugese and Italian and are an essential on most university reading lists.

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