Opening his keynote address to the Production Film Market in October ‘10, Jeremy Thomas expressed his opinion that festival programmers were more important than studio heads. The right festival strategy can define the future of your movie, so budgeting and submitting (or attending) the right one is increasingly important for upcoming filmmakers and marketing execs.

Film festivals shouldn't be compared like a university leagues table. The reality is that buyers, distributors and sales agents will focus on a number of different festivals for different purposes - both big and small, and depending on their business, geographical or political position in the world. Through this list we've tried to regroup the 100-odd most 'important' film festivals, markets and showcases in the world.

If you feel we've missed anything out please email us. Better yet send us the festival programme by post.

Please note some festival dates are approximate.

Jan - March   April - June   July - Sept   Oct - Dec


Palm Springs International Film Festival

1st - 11th January 2016
The Palm Springs Film Society organises two festivals every year, the well-known ShortFest and the Feature edition in January. Well followed in North America, the festival regroups mostly the best festival circuit films of the previous year, with a programme of films that generally lean towards the end of their travel, and reaching out to Oscar nominees. This year welcomes the screenings of Athlete, Son of Babylon and Another Year.

Submissions for the festival 2016 are now closed.
Website | Twitter


Rendez Vous with French Cinema Paris

14th- 18th January 2016
For 13 years Unifrance has run the Paris Screenings private market screenings in Paris attracting about 400 international distributors and screening almost 100 films. This isn’t to be mistaken with the identically titled public RDV public screenings in New York in March and London in June also funded by Unifrance. RDV represents one of the best opportunities for buyers to discover the line-ups ahead of Berlinale.

Submissions for the festival 2016 are now closed.
Website | Twitter

International Film Festival Rotterdam

27th January - 7th February 2016
Rotterdam Film Festival is one of the most important film festivals in the world focusing predominantly on world and international premieres with a large art-house and experimental focus. This normally sleepy town offers massive support to the festival, which in 2010 welcomed over 335,000 visitors far outshining its mainstream rivals. The festival also runs one of the most interesting grant programs the Hubert Bals Fund.

Be sure to attend the daily filmmaker drinks from 11pm. The 2011 edition will feature a significant number of Asian works screening in competition, including The Journals of Musan (Park Jungbum), Bleak Night (Yoon Sung-hyan), The Image Threads (Vipin Vijay) and Flying Fish (Sanjeewa Pushpakamara).

Submission closes on 29th October 2015.
Website | Twitter

Rotterdam Film Festival’s co-production market selects 35odd projects every year in search of additional funding. Aimed specifically at art house projects and director driven, CineMart offers participants 4days of one-on-one meetings with producers and funding agencies.
Sidebars also include the Producers' Lab.


Gotterburg International Film Festival

29th January- 8th February 2016
One of the largest festivals in Scandinavia, Gothenburg screens almost 450 films and welcomes the Nordic Film Market. Each year the festival selects an ambiguously theme that dictates its programming and seminar choices. You'll notice a large number of films hopping from Rotterdam, to Gotterburg to Berlin's EFM.

Submissions for the festival 2016 are now closed.
Website | Twitter | Facebook


22nd - 28th January 2016
Running in parallel with the Sundance Film Festival in Park City, Slamdance’s self-proclaimed ‘anarchic’ festival aims to bring the underdog independent films to Park City. Increasingly the festival is being recognized as the ‘indie-er’ festival of the two. The 2011 edition will feature Superheroes (Michael Barnett), Atrocious (Fernando Barreda Luna), Silver Tongues (Simon Arthur) and The Beast Pageant (Albert Bimey/Jon Mosses).

Submissions for the festival 2016 are now closed.
Website | Twitter | Facebook

Sundance Film Festival

21st- 31st January 2016
Known until 1991 as the Utah/US Film Festival, Sundance is the leading festival for discovering directorial newcomers. Despite freezing temperatures, huge queues and phenomenally expensive accreditation and hotel costs, it attracts a huge number of buyers, particularly those interested in American indies, and was behind the launch of films like ‘Sex Lies and Videotapes’ and ‘The Blair Witch Project’. Sundance is discussing documentary London screenings at the O2 Centre in the fall. Ralph Fiennes has just confirmed Coriolanus’s screening at the festival (ahead of Berlin), as well as a return for Azazel Jacobs, Kevin Smith and Miguel Arteta and the much-anticipated The Troll Hunter.

Submissions for the festival 2016 are now closed.
Website | Twitter | Facebook


International Short Film Festival Clermont Ferrand

5th- 18th February 2016
This small city in the picturesque Massif Central in France hosts one of short films most important dates in the calendar. Commissioners, film students and short film buyers swarm every year to what is essentially a film market, conveniently squeezed between Rotterdam and Berlin which makes it part of the 3 stop business holiday for most international and down-under film agencies.

Submissions for the festival 2016 are now closed.
Website | Twitter

Berlinale - Berlin Film Festival

11th- 21st February 2016
Berlin Film Festival has become probably Europe’s best-respected film festival. Awards handed out include the incredibly obscure Panorama Award, the new Generation Crystal Bear and the cute Teddy [bear] Award for LGBT.

Details regarding film submissions can be found here.
Website | Facebook


European Film Market

11th- 19th 2016
The EFM rose to prominence in 2002 after AFM’s campaign to replace MIFED left a hole in the market calendar and alongside Cannes’s Marché Du Film is now included as one of the most important film markets in the world.

Berlin’s blizzard February cold deters the networking masses that attend Cannes, which makes this a phenomenally more productive market. The festival also hosts the Berlin Talent Campus and Co-Production Market.

Information regarding project submission can be found here.


Berlin Talent Campus

13th- 18th February 2016
Berlin’s Talent Campus is a 5 day forum of seminars and masterclasses aimed at newcoming or student filmmakers from around the world. Participation is fairly strict and in recent years the Talent Campus has expanded to Guadalajara, Buenos Aires, Durban and Sarajevo.

The application for Berlinale Talents 2016 is now closed.
Website | Twitter


World Content Market Prague

16th- 18th November 2015
Specifically targeted at Television, Video and New Media, the World Content Market in Prague attracts a large delegation of film sellers and buyers, mostly from the Middle East and Eastern Europe. The WCM is an informal affair specifically targeted at acquisitions.

The participation form for this event can be found here.



February- March 2016 (TBC)
The Panafrican Film and Television Festival of Ouagadougou held biannually in Burkina Faso is one of the largest festivals on the African continent focusing mainly only African films and filmmakers and comprising the MICA (African International Film and Television Market).


True/False Film Festival

3rd- 6th March 2016
One of the fastest growing documentary festivals in America, True/False has slowly pushed its dates away from mid-February/Sundance and has turned a few heads with its impressive curate.

Details for 2016 submissions can be found here.
Website | Twitter


South by Southwest (Film), 11th - 20th Film, Music and Interactive Conferences

11th- 19th March 2016
In recent years SXSW film strand has become one of the most important film events in the world. Combining 250 films, over 2,000 meticulously selected gigs, and the interactive conference which launched Twitter in 2007, South By’s selection focuses on north American indies, music docs and anything out of the ordinary.

The late deadline for 2016 film submissions is 3rd November 2015.
Website | Twitter


Sofia International Film Festival

10th- 20th March 2016 (TBC)
Since 1997 Sofia has hosted what’s grown into one of the cultural highlights in Bulgaria. It programmes a large number of European films which has promised it continued EU funding support. You’re certain to catch an above average number of Cannes selections at the festival.

Lines for submissions are now open here.


One World International Human Rights Documentary Film Festival

7th- 13th March 2016
The longest titled festival in the list, the Jeden Svét Festival Documentarnich Filmu O Lidskych Pravech, One World in Prague has turned a few heads with its bold and sometimes hard-hitting documentary selection and is very well closely followed by documentary buyers from around the world.

Submission details can be found here.

Website | Twitter


Tampere Film Festival

March 2016 (TBC)
One of the world’s oldest short film festivals, Finland’s inland city of Tampere hosts over 500 short film screenings every March as well as the Trash Film Festival aimed at low budget Finnish films.

Registration and further details for the festival can be found on their website.
Website | Twitter


Hong Kong Film Festival

21st March- 4th April 2016

A must stop for Asian film acquisitions, the HKIFF sees over 5000 industry representatives and over half a million cinephiles every year. Despite running the ever-popular Filmart (film market), and despite heavily subsidized international delegations, foreign attendants regularly comment on language barrier stalling deals.

Details for 2016 entrance can be found here.

Website | Twitter


Ann Arbor Film Festival

15th- 20th March 2016
The artiest festival on the list, the Ann Arbor specializes in experimental and avant-garde films. In 2006-2007 the festival came under attack by a group which considered its programming offensive and led to a fall in state funding. The festival not only launched a very successful fundraise campaign, but took the case to court over First Amendment violations and won.

Submissions for the festival 2016 are now closed.
Website | Twitter

Jan - March   April - June   July - Sept   Oct - Dec

Since 1992 Raindance has been offering advice and support for independent fimmakers. We started the Raindance Film Festival in 1993, and the British Independent Film Awards in 1998.

Most of our year is spent training thousands of new and established filmmakers in all aspects of film. Among high profile alumni are Christopher Nolan (Batman Begins), David Yates (Harry Potter), Guy Ritchie and Matthew Vaughn – who actually met at a Raindance course. Raindance training is one of the world’s largest catering for over 3000 students per year.

In 2011 we launched an innovative Postgraduate Film Degree with Staffordshire University and the Independent Film Trust.

In 2013 we relaunched our production arm, Raw Talent with the feature Love.Honour.Obey.

24 thoughts on “Essential 100 Film Festivals Part 1 [2015]

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